Snapping works with grid and guides, but it doesn’t end there. It lists a handful of snapping options for you to toggle on or off. If you press shift S on your document, a drop-down menu will pop up. That’s why snapping was also implemented. The guides are not too interesting in themselves. You can then use them as a reference to lay your layers out accurately. They are horizontal or vertical lines that you can place wherever you want on the canvas. The grid tab replaces the toolbox’s grid tool. The grid and rulers are both managed in the same docker, called “grid and guides”. These are 3 different features that work together. Krita 3’s new layers docker, with layer colors Rulers, grid, guides and snapping Last, but not least: the former 3 display modes have been merged into a single one that gives you all of the options you need at a glance. Group, ungroup layers, and add clipping groups.Įdit properties on multiple layers at the same time. Manipulate layers and navigate the layer stack with the keyboard. Let me outline some of the changes for you. It ships with a more compact look, a ton of new functions, keyboard shortcuts… Almost everything a game artist needs to do his job in the best of conditions. The team redesigned the layers docker from the ground up. This is the change I love the most: layer management is now both much faster and way more flexible.
The official Krita docs will provide offer you with more information if you want to learn every function the toolset provides The new layers docker My favorite feature When you load it, it will display the 3 dockers I just mentioned at the bottom of your interface.įor more information on this feature, check out my Krita animation tutorial To help you get started animating, there is a new default animation workspace.
They respectively allow you to change your animation’s length, to manage your frames and your animation layers, and to control your onion skin, a popular effect to preview multiple frames on the canvas at the same time. There are 3 new dockers: animation, timeline and onion skin. And the development team has plans to make it even better in the future. You can now animate in Krita! Version 3 comes with a solid toolset that traditional animators will love. Overview of the Instant Preview beta in Krita 2.9 Krita’s animation tools It also works with filters, with the move tool, and with animation playback right now. Thus, the instant preview not only affects brushstrokes, like it was initially meant to. The developers completely changed how Krita handles rendering operations under the hood. You no longer have to wait for endless seconds between large brushstrokes. What you get, as the artist, is better feedback on your work.
It is both simple and powerful: Krita gives you an instant preview of your drawing operations and, at the same time, it takes care of the big calculations in the background. It’s now a matter of the past, at least for the most part: thanks to the Instant Preview, the program is way more responsive. Painting on large documents would be slow and painful. Krita’s performances used to be a major issue for professional work. Instant Preview: the new rendering engine Let’s explore all of Krita 3’s new features in details. This major update brings those additions to the world, and more! Intriguing, right? The campaign had 2 goals: to fund a new, faster rendering engine for digital painting and a traditional animation toolset. Krita 3.0 was initially funded by a thousand of backers on Kickstarter in 2015. At the end of the post, I’ll give you my thoughts on the program and the updates for 2D game artists.ĭo you want to learn all of the new features? I’m working on a free Krita tutorial series that will help you to become a faster artist with Krita 3.0. In this article, I’ll introduce you to the most important new features one at a time. That’s why I wrote this overview of Krita 3. You get it: there is a lot to talk about. The keyboard shortcut editor has been redesigned and moved to Krita’s preference window. There is a new gradient mapping filter for color grading, as well as an original blending mode for smooth painting with transparent pixel brushes. The layer picking and move tools are more flexible. The pop-up palette looks better and the icons now scale to accommodate for more than 10 brushes. There’s a long list of smaller, yet welcome changes.
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